Feel So Close Anna Kendrick Get Back Up Again
From the creators of Shrek , the animated feature Trolls (due out in theaters on November 4thursday) volition accept audiences into a colorful and wondrous earth populated by the always optimistic trolls, who are not only always grin and singing, but even have hourly hug sessions with other trolls. Inspired by the toy phenomenon and with its very ain mythology, this hair-raising take a chance looks to take laughs, tears and a whole lot of not bad music, besides every bit a terrific voice cast that includes Anna Kendrick, Justin Timberlake, Russell Make, Christopher Mintz-Plasse, Zooey Deschanel, James Corden, Icona Popular and Gwen Stefani.
On June 23rd, Collider was invited over to the DreamWorks Animation campus for a preview presentation with directors Mike Mitchell and Walt Dohrn, who gave the media a glimpse into the world that they've created. As someone who had a significant array of trolls of varying hair colors when I was a teenager, I was definitely curious virtually what the world and characters would look and sound similar.
With an environs textured out of fuzzy felt and hair that does simply about everything, including changing color and shape and growing as needed, the merely thing the e'er happy trolls (who fifty-fifty poop cupcakes) have to worry about are the pessimistic Bergens, who are merely happy when they accept trolls in their stomach. Then, when some of happy pinkish troll Poppy'south (Anna Kendrick) friends are captured, she turns to Branch (Justin Timberlake, who is likewise the executive music producer on the moving picture), a grey troll who doesn't partake in hugs or singing, to aid her save the solar day.
The xv minutes of footage we got to see made it clear that the huge diverseness of troll characters are undeniably cute and the music, made up of already known tracks (including "The Sounds of Silence" past Simon & Garfunkel, "Clint Eastwood" past Gorillaz and "True Colors" by Cyndi Lauper) and original tunes (including the already released and highly catchy "Can't Stop the Feeling"), will definitely make you desire the soundtrack. Following the preview presentation, Anna Kendrick and Justin Timberlake participated in a Q&A to talk about whether they had their own troll collection, the process of putting together the music, working in the recording studio together, narrowing downwards the songs, and the biggest challenges of it all.
Question: Did either of you e'er have trolls?
ANNA KENDRICK: I had trolls, growing up. My get-go question to them, subsequently they finished pitching me the film was, "Does Poppy have a diamond abdomen button?," considering the jeweled belly button trolls are the best trolls. They said, "No, only she has glitter freckles," so I was like, "Okay, that'southward fine." And I had the pencil toppers, which made it seem like homework was fun, fifty-fifty when homework wasn't fun. They are that kind of ugly cute. It's hard to say what draws kids to them, but I think it's like pug dogs. They're then ugly that they're cute.
JUSTIN TIMBERLAKE: They become disarming. Not to speak ill of things like Barbies, but I think they disarm especially young females.
KENDRICK: I had a confusing relationship with my Barbies, just I honey trolls. I tortured my Barbies.
TIMBERLAKE: I'm sure, growing upward, information technology's easy to go through some sort of body dysmorphia thing, and trolls are probably very disarming. I recall in second and third grade, I didn't have them, but every girl in school had one. They had the treasure trolls with the jewels in the belly, and I recall the pencil toppers. Girls would brush the pilus. They were every bit as big as any other doll that came out, geared towards young females.
How does the process of music producing work?
TIMBERLAKE: This is my first time doing it, on this level. I've never been the executive music producer for a film. For a musical like this, to have these classic toys and mythological creatures from and then long ago and actually modernize them, that was our G.O. with the music, besides. I recall information technology fits with the humour. Some 7-year-old is gonna walk away knowing "The Sound of Silence," which is very absurd, and a song like "Truthful Colors." Now, I came on a little after some of the songs were sought subsequently and cleared. I don't know if you know about the clearance process, but that can be mind-numbing. And so, when I came in, "True Colors" was definitely already picked out for this moment in the movie. "The Audio of Silence" was already picked out, too. So, my job for that was simply hopefully to put our own spin on it, make it sound unique, and arrive sound like it belonged in the scene, much similar musical theater, almost. And then, I also wrote four original songs, specifically written for the film. I've never done anything like that, either. Some of the music does sound very '70s. Overall, yous'll experience that a lot of the music definitely has a little bit of '70s funk to it, and so that was definitely an inspiration for "Can't Stop the Feeling," likewise. You get to see some of the animation and what they're working on, so y'all get to see how big a moment is. When yous finally get to see where the Bergens live, you lot hear The Gorillaz. Yous only want to sonically complement that.
Anna and Justin, how was it to work in the recording studio with each other?
TIMBERLAKE: It's been fun to work specifically with Anna because she's such a good singer. She doesn't fancy herself that, just she is.
KENDRICK: It's a prevarication. I'thousand wonderful!
TIMBERLAKE: It'southward been so much fun to work with her. All the work that we really did together was merely me sitting at the board, and united states talking most her singing and her song functioning. "Become Back Up Again" is her singing, but she's besides acting. In that location'due south a lot that goes into that.
KENDRICK: With "Get Dorsum Up Again," nosotros wanted something that felt like the "I Want" song. The "I Want" song is one of those Broadway things. It's her "I Want" song. We had a take when they were coaching me on Skype, and it was good, but after working with Justin for a while, I was like, "I feel like nosotros should become back." Everyone was like, "Why? It'due south fine." I would bet that 95% of what's in the moving-picture show is from my session with Justin considering, every bit someone who's a singer, he gives such specific notes that are so helpful that information technology just tightened information technology so much, and I feel like we got so much more heart and mischief and sass from her.
TIMBERLAKE: I'yard a big fan of musicals. The showtime ones that comes to mind are The Music Homo or Singin' in the Rain, where you're getting a piece from the character that'due south moving the story along and you're getting a piece from the story that's moving the story along, and the music services that. I feel like information technology's a lot more challenging to do the type of musicals where the music starts and time stops. And so, it gets to the end of the music and everyone goes back to what they were doing. We wanted to definitely modernize our moving picture and make everything service the movie and motility it along.
How long was the process of narrowing down the songs?
TIMBERLAKE: There were 4 different versions of "Get Back Upward Over again." There were songs that nosotros cleared or tried out for different scenes, and are still trying out for different scenes, to service those moments. And and so, every in one case in awhile, you come across some irony, like The Gorillaz' "Clint Eastwood," where the line is "I'g happy, I'k feeling glad, I've got sunshine in my pocketbook." We're using it for the Bergens in consummate irony 'cause there's nothing happy near that scene.
What were the biggest challenges in making this movie?
TIMBERLAKE: I had fun working on this movie, but at that place were challenges. There's challenges with the music because it's not easy to come upward with a full system for a song, especially one that's so classic and popular. We've gone through dissimilar iterations of the different musical performances, cutting them down and extending them. That tin can become a little time consuming, simply it's still fun piece of work. It'due south still fun to try to crack the code of trying to not linger on with music, but still not cutting whatever of what'due south very important to the characters and the story. But that sounds like the nigh trivial thing, compared to probably the adversity that [the filmmakers] faced.
Practise you get nervous taking on a classic song, like "True Colors"?
TIMBERLAKE: I was very nervous, to exist honest. I think the whole time I was doing the recording session, I was like, "What is Cyndi [Lauper] gonna think?" I still don't know, and I gauge it's too belatedly to worry about information technology because information technology's already in the pic.
KENDRICK: I do call back that having an acting objective makes it easier for me. When nosotros sang it at Cannes, I was totally terrified. Simply when I'm singing information technology in the film and I'm listening to Justin, I'm thinking most what we take to accomplish for the story. That distracts from being nervous and information technology gives me a simpler intention. Trolls opens in theaters on Nov 4thursday. Click hither for the latest trailer.
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Source: https://collider.com/justin-timberlake-anna-kendrick-trolls-interview/
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